"As an actor, I try to trust the director's judgment and guidance as much as possible, and I basically belong to the obedient type. When I take on the role behind the scenes, I control a production team from a macro perspective, and then when I return to acting, I can understand the production team very well. As a producer, I feel more empathetic towards the actors. "- Liang Jing

Having debuted for 24 years, Liang Jing has played many unforgettable roles
Control the small screen and also master the big screen

Played the role of a "stupid woman" with a weak and crooked mouth in "Chef, Actor, and Rascal"
The Golden Horse Award winning work 'Killing' breaks through the limit of character styling by portraying ugliness

"Regardless of the image, interpret the vitality of each character
All because of the profound inner perception carved from all aspects"

The chivalrous and righteous' female veteran 'in' Old Cannon '
The simple and stubborn rural nanny in 'Late Night Cafeteria'
In the black and white suspense movie 'The Aesop Code'
Lin Ziqi, a medical high achieving female student who transforms into an iron blooded delicate child
Every detail reflects her superb acting skills

For five years, Liang Jing faded out of the screen to take care of her children. With a sincere love for movies, she also pursued her graduate studies at the Film Academy. At that time, short films and sketches were her daily homework.

"A good movie should have attitude, restraint, and space, but ultimately it should return to human warmth"

Producer of 'Eight Hundred'
Producer of 'Ghost Blows Out the Lamp Fury in Clear Xiangxi'
She serves as the spokesperson for the Global Short Film Festival
Frequent attendance at events in both China and the United States
Spare no effort to promote the creation of global new generation short films

The first directed and created microfilm 'Can't Be Cured'
Becoming the Annual Tribute Film of FIRST Youth Film Exhibition
Handed over an impressive report card

This versatile Liang Jing, who can freely switch between the front and back of the stage, has become the envy of many people. In her pursuit of art, she tirelessly maintains a delicate and transparent perspective. She said that when creating, she should have a female perspective, but when working, she should forget this and put in the same effort as men.

The white shirt exudes elegance and allure due to its romantic retro Ruff collar, while the Welsh plaid jacket is layered with a pumpkin colored vest to add depth. Paired with a cool fringed leather skirt, it adds a touch of tough sexiness.

Such a free spirited and confident woman
Because of movies, the future has a vast and rich world
She's like a mix and match dressing style with a strong personal style in the fashion industry
Creative, actor, crossover, director, with ease
She looks more like the Prince of Wales plaid
In the field of beloved movies, different dimensions intertwine to create harmony
Take charge alone and refine your own small world

Born in 19th century England, also known as Glen Plaid
It is a fabric pattern made by interweaving dark and light colored wires
The calm and introverted lines, low-key and elegant retro color scheme, are exactly the aristocrats in the grid pattern

Seeler, in the autumn and winter of 2018, you can see the most beloved representative of this British style
A streamlined and practical suit with a hint of heroism

Sharp interpretation of women's inner monologue of not accepting labels
Pink lines extending from the black and white grid
Subtle nuances leave a feminine tone